Time

It's been a little while since I've written anything, that's because I've felt like there hasn't been anything worthy of writing about. It's coming up to a year since I finished my MA at Winchester School of Art, in that time I've worked full time in an office, moved in and out of a studio, been a Signature Art Prize finalist and held my first solo exhibition. I have also been lucky enough to visit Amsterdam, Iceland and made several trips to Cornwall in the last year.  

 

I'm still making work however with only evenings and weekends spare I've not been as productive as I'd like to be. I'm too aware that time is so precious that it prevents me from being experimental and venturing outside my comfort zone because I'm too afraid of making bad work and then feeling like I wasted time.

 

I've continued to draw and have a project on the go which in a way documents the walks I've being doing in my home county of Hampshire. I've been following a walking guide, ticking one off every weekend or so. On each walk I photograph the journey, I'm then picking a photograph to draw from and I title the work with the walk title from the guide and the date the walk took place. 

 

Inspired by a walk in Cornwall, I have a separate project in mind which will bring together photography, drawing, painting and map cuts. Unfortunately a lack of confidence has meant that the project has gone on the back burner - as mentioned, I've been too afraid of getting it wrong or messing it up and making bad art. 

 

It's only when you're in the 'real world' (outside of university) that you realise how difficult it can be making art, time restraints, a job to pay the bills getting in the way and a lack of people around you to help guide your work and give you direction can make for a tough time creativly. 

 

But, I'll keep going, keep drawing, keep thinking, keep making because it's what I do and I can't be without it. 

Hartley Wintney and Elvetham - 14th June, 20.5cm x 20.5cm, pen on paper. 

Hartley Wintney and Elvetham - 14th June, 20.5cm x 20.5cm, pen on paper. 

Making A Mark

Making A Mark - my first solo exhibition of recent work at Proteus Creation Space in Basingstoke, Hampshire.  I decided to have an exhibition of my work at a local space for a number of reasons. One of them being to keep motivated since I finished my MA and went back to full time work. But also to develop my practice, experiment with painting and see my work outside the studio. 

Cornish Blossom, oil paint and charcoal on linen, 30cm x 30cm

Cornish Blossom, oil paint and charcoal on linen, 30cm x 30cm

I made eight paintings for the exhibition, four landscapes inspired by Australia and with influences from David Hockney and the Impressionists and four 'floral impressions' inspired by the artist Cy Twombly.  

Blue Landscape I, oil paint and charcoal on linen, 20cm x 40cm

Blue Landscape I, oil paint and charcoal on linen, 20cm x 40cm

Green Landscape II, oil paint and charcoal on linen, 20cm x 40cm

Green Landscape II, oil paint and charcoal on linen, 20cm x 40cm

Alongside my paintings were a series of drawings. Two 'panoramic' landscapes and a series of six small drawings inspired by my WSA Window View drawings which I also displayed. The piece that I'd spent the majority of my time on before the exhibition was my biggest pen on paper drawing to date of a forest scene. 

Waterfall Way, pen on paper, 76cm x 57cm

Waterfall Way, pen on paper, 76cm x 57cm

The biggest challenge of the exhibition came from marketing and making sure that the exhibition was seen. I found that it was a struggle to find time to advertise the exhibition especially as I was still making work right up until the night before I hung the exhibition. 

Polperro Bluebells, oil paint and charcoal on linen, 30cm x 30cm

Polperro Bluebells, oil paint and charcoal on linen, 30cm x 30cm

Overall the experience of making new work for an exhibition was challenging yet rewarding. It tested my patience, dedication and time management skills but I'm proud of the work that I managed to produce. 

Signature Art Prize 2015

I received an email from an organiser at DegreeArt who advised me that the previous years winner Claire Anscomb whom was in her final year at Winchester School of Art while I was on the MA had suggested me as an entrant in this years Signature Art Prize.

I was extremely flattered that Claire would nominate me as she is herself an extremely talented artist specialising in graphite drawing. Her work is absolutely astounding and awe-inspiring. I researched the prize and saw how prestigious it was, the fact that Claire had nominated me meant that I could enter for free. With this in mind I decided to submit the WSA Window View Series that I made for my final MA exhibition.

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I soon received an email declaring that I had been long listed for the prize which felt wonderful. I then got the email that said that I was one of five finalists in the Drawing and Printmaking category, I was ecstatic! Once I saw who my competition was I quickly thought there must have been a mistake as the other finalists work was so brilliant. One of the great aspects of the Signature Art Prize is that entrants who do not make the final have their work submitted in a public vote via Facebook. The work with the most likes also gets a place in the Peoples Choice Award, the quality of work was amazing and I found myself voting for at least four pieces as it was so hard to choose!

My drawings were sent to London and DegreeArt arranged the framing of them for me to better suit the exhibition space. All of the work from each category including Painting, Photography and Film, Sculpture and my category Drawing and Printmaking is then brought together in a gala event. During the gala judges view each work in person and the winners are announced.

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I was extremely disappointed that I was unable to attend the gala as it coincided with my trip to Iceland but I kept up to date with the announcements via social media. The winner of my category was Gareth Bunting, ironically the winning piece was inspired by his trip to the Golden Circle sights in Iceland! I really wish I could have seen the winning piece in person as the high level of detail really looked mesmerising.

It was a huge confidence boost to be chosen to be included in the Signature Art Prize and a wonderful feeling knowing that my drawings were on display in London alongside such fantastic work.